Absolutely Fabuleux

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Sony executive Becky D’Anna joins Martin for a conversation about love, happiness, and digital color timing. They look at how Amélie fits into the filmography of Jean-Pierre Jeunet, and discuss its cast, visual style, and music as well as its enduring appeal. They consider why the follow-up film A Very Long Engagement didn’t connect with audiences in the same way, and how the character of Amelie might have been different had Emily Watson been cast instead of Audrey Tautou. Becky relates Amélie to Terminator 2 and Martin gives his Paris hot take.


Follow Becky D’Annaon Twitter and check out her blog.

About the author: Martin Lampert

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